Drawing on another way to see

When travelling, slow down and take time to look – with the intensity of an artist!

London Big Ben

London Big Ben

The camera can capture what is in front of you, but it takes your intervention to capture how you feel about it. And that is where post-processing comes in. Whether it is just putting on a filter in instagram, or doing more advanced processing in photoshop or lightroom, your processing will reflect how you feel about a place. But how will you know how you feel, if you don’t stop for a moment and take time to form an opinion?

One way to learn how to see in a new way is to consider how the scene would look as a drawing. Look at the relationship between objects, and consider the shape formed by the spaces between them. Artists call these ‘negative shapes’. By taking the time to look at a scene as a drawing, you will see far more than if you had just lifted the camera and pressed the shutter button.

St Martin in the Fields rendered as a drawing

St Martin in the Fields

Consider this view of St Martin in the Fields in London. Stripped of colour and reduced to a few tones, its relationship to the landscape becomes more apparent. The distraction of the red buses and colourful tourists fades, and the classical styled church asserts its sense of permanence and history.

It is worth spending time in galleries to get a sense of composition – the concepts behind composition in art apply equally to photography – and especially to travel photography.  Use drawing techniques to appreciate the sense of design around you – wherever you are, someone designed that building, or that streetscape.

Take a small sketchbook and try to sketch the scene in front of you – then photograph it, and you will find that you have made a memorable image, taking in the subtleties that will live with you long after your trip has finished.

 

London - the Strand rendered as a drawing

London – the Strand

Why you need a polariser filter for museums

Circular Polariser Filter (CPL)

When trying to record your travels, there is nothing so frustrating as not being able to get a decent photo in a museum. On my first visit to the British Museum, I completely failed to get a decent photo of the Rosetta Stone. Why? It was behind glass and it faced the door, resulting in hideous reflections, and not just because I was in the reflection! I learned later that I needed a special kind of filter – a circular polariser.

Rosetta Stone with circular polariser

Rosetta Stone

In a museum your biggest challenge will be reflections from glass display cases. So forget the UV filter – they do protect your lens, but so will a lens hood. Instead, bring a circular polariser filter.  The circular polariser has saved me more times than I can count, and is always in my camera bag.

What is polarised light?

When light travels to an object the light waves are travelling randomly in all directions. But when they bounce off an object (reflection), the light waves coming back at you are all lined up in one plane – the plane of the shiny object. this light is polarised.

How does a circular polariser work?

The circular polariser filter uses long polymer molecules aligned along a plane in one direction. This will only allow light from one plane to pass through. It is mounted in a circular frame which allows you to rotate the filter until it cancels out the reflected light. So all the rest of the light from the object comes through to your camera.

What difference does it make? Take a look at these two photos taken recently at the National Museum of Australia. The first is without the CPL filter – notice those annoying reflections!

Camera in NMA - without circular polariser

Camera in NMA with reflections (no filter)

And with the circular polariser filter – the reflections have disappeared!

camera in NMA without reflections (with circular polariser filter)

camera in NMA without reflections (with CPL filter)

Is there an alternative?

Actually yes – if you have a small lens or point and shoot camera you can in a pinch use your polaroid sunglasses – they work the same way as a CPL (you may need to rotate them to get the best effect).

You can buy a circular polariser here (affiliate link)

Leave a comment and let me know what challenges you face when photographing in museums 🙂

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